Many male rappers have made the transition to the big screen, the most laudable being the powerful Will Smith. But more female hip-hop stars are looking to break into the movie business, seeking to express sides of themselves that are deeper than their music personas. These nine rapstresses represent the best of women and hip-hop who also have the biggest chance of making it in feature films. Why let the boys – like Common, T.I. and more – have all the fun? We need to see more from these raptresses-turnt-actresses in the coming years.

The Trendsetter: Nicki Minaj

When Nicki Manaj attended the 2011 MTV Movie Awards, she let it be known that acting will be the next stage in her successful career. She told the press from the red carpet, “That’s what I want to do with my life, I want to retire as an actress. I love acting, I studied acting,” revealing quite a big surprise. Minaj named Hollywood veterans Will Smith and director Tim Burton as two she’d love to work with, but Nicki is no movie rookie. The omnipresent rapstress has already made her feature debut in the gritty independent release, “Stuck on Broke” (2010). Nicki Minaj will certainly bring her penchant for the dramatic to future roles as she parlays her popularity even further.

The Transformer: Lil Kim

If Nicki Minaj plans to get into acting, it should come as no surprise that her arch enemy, Lil Kim plans to do the same. She announced in late 2010, “Over the next few years, I see myself venturing more into acting. I love the idea of being able to morph into different characters and showing different sides of me.” A common pitfall of being such a colorful character in rap, Lil Kim has already made several appearances in movies as herself, including hits such as “Zoolander” (2001) and “You Got Served” (2004). But 2008, she got to express herself in a creative role in the comic book film spoof “Superhero Movie.” Could more serious roles be in the future for her? Maybe she and Nicki will go head to head again, rekindling their ever-entertaining beef.

The Drama Queen: Foxy Brown

Foxy Brown’s life reads like street lit legend. As a female rapper who came up under two incredible mentors, Jay-Z and Nas, Brown’s then life spiraled into a series of nail-biting misadventures that kept the public guessing. From facing multiple encounters with the law, to suffering from hysterical hearing loss, Foxy’s story has primed her for serving drama. It’s too bad that the only movie role she has had to date was in the 1998 Jada Pinkett-Smith vehicle “Woo,” in which she played the blandly titled “Fiancée.” An appearance as herself in the Jay-Z documentary “Fade to Black” (2004) rounds out her filmic career. But now that Foxy Brown has repented for her past sins, she is primed to take on bigger challenges. By overcoming demons in her own life, she epitomized the qualities of the female protagonist.

The Grande Dame: Queen Latifah

Queen Latifah could write a book on how to parlay hip-hop stardom into Hollywood fame. She took her tiny role as a waitress in 1991’s “Jungle Fever” and ran with it, putting in the work over the years until it paid off in an Academy Award nomination for playing Matron “Mama” Morton in “Chicago” (2002). But the rapping queen of the big screen did not stop there. She went on produce and/or star in over a dozen films since then, including perennial favorites like “Ice Age” (2006) and “Beauty Shop” (2005). Queen Latifah’s list of prestigious acting awards include statues awarded by the Golden Globes and the NAACP. For all the other rapstresses making the transition to acting, the Queen leads by example.

The Mystic: Missy Elliot

Missy “Misdemeanor” Elliot’s music videos are cinematic feats full of psychedelic  eye candy. She has translated the trippy power of her image to the movie arena in small roles, such as playing Diva in 2001’s “Pootie Tang,” and her own fabulous self in the films “Honey” (2003) and “Just for Kicks” (2005). But will Missy make moves into richer forms of celluloid expression?  As a highly unique rapstress with a positive message – and the power to communicate visually — she would make a great movie star. We hope she gets into the mix.

The Glamazon: Eve

Eve has an impressive career as a thespian, ranging from starring in her own television show to acting in many black-themed films. A veteran of the “Barbershop” franchise, she also starred in the 2004 comedy “The Cookout,” which was co-written by fellow rapstress Queen Latifah. The year 2010 saw the sexy Scorpio break out in new directions in the British thriller “4.3.2.1.,” playing the dynamic Latisha. Hopefully, Eve will enjoy similar acting opportunities on this side of the Atlantic.

The Comeback Kid: Lauryn Hill

After roles in “Sister Act 2: Back in the Habit” (1993) and  “Hav Plenty” (1997), Lauryn Hill seems to have abandoned acting to focus on music. Everyone is wondering when she will make her big music comeback, but people should also consider when she will return to the movies. With a presence much like Angela Bassett, but with more sassy style, there is plenty of room in the pantheon of black actresses for her brand. Maybe this rap goddess’ comeback will have that one-two punch, on both the acting and rapping fronts.

The Matron: MC Lyte

Few people know that MC Lyte has acted both on the stage and the screen, giving her a well-rounded foundation for pursuing a larger career. Her movie roles include little-known titles such as “Fly by Night”(1993), “A Luv Tale” (1999), and “Civil Brand” (2002) – but she deserves better. Even though MC Lyte has not had an album out for a while, her name recognition is strong and she still looks as good as she did during her heyday. Lyte would make a great supporting actress in today’s black movie world, competing with the likes of Regina King, with more edge. Let’s hope she gets a break and capitalizes on her previous work.

The Pop Princess: Pepa

Pepa is a much-loved rapstress. Having entered our hearts as half of the dynamic duo Salt-n-Pepa, this star has been shining independently for a number of years. Her recurring role on TV’s “Oz” as Officer Andrea Phelan has primed her for even bigger things. After small roles in the films “The Perfect Holiday” (2007) and “Love and a Bullet” (2002), Pepa could use a stand-out part that showcases her spunk. With more African-American superstars like Will Smith and Tyler Perry producing films, roles like this could soon be on the horizon for her.

I know what it’s like to engage in an illicit online relationship. When the news broke that former Rep. Anthony Weiner had been engaging in sexual exchanges over the Web, my own internal censor went off. I began struggling with the implications of my own desires, because I had been getting into it deep with an attached guy online for months. While the Weiner spectacle has come to an end, I’m still embroiled in the problem. For I am the woman on the other side. I’m the one with your guy – digitally.

I get the secret IMs, the (coded) Facebook messages. I fill his head with impossible fantasies. You are looking for me when you go through your boyfriend’s cell phone — although my partner and I are way too smart to leave a paper trail of nasty texts, or tweet constant pulses of flirtation. What my sex buddy and I do takes places via instant messaging, so isn’t exactly sexting, but the intimate aspect is there. We might not talk for weeks, as our “love” is confined to live chat sessions. Yet when we are both online at the same time, something deep, raw and undeniable drives us to connect if we see each other’s screen names. We are available. We are ready. We mingle through AIM, and aim to please.

And boy do we. The words of my invisible man have set the most delectable fires in my body. I say to myself, “It’s not cheating if I don’t see his naked skin, stroke (what I imagine to be) his muscular abs, or take his dick between my actual sucking lips. If it’s not really happening, it’s can’t be wrong.” But the sexiness of it is sometimes too real. Just my fingers touching the keypad turns my computer into an erogenous zone. Sometimes when he’s “talking,” I stroke the screen like it’s his face. We’re attached. As far as I can tell, we’ve both had orgasms “together,” each of us riled up by the titillating convo, but actually absolutely alone.

At least I hope so. Did my ghost-beau really “come for me” like I ordered him to – in a little S&M playacting – or is he is eating Cheetos with friends and watching the game, amused by this crazy girl? And that’s why I tell myself it’s fair.

If the real girlfriend gets the daily talks, physical cuddling, and red-blooded fucking, why can’t I have this? The sensual drawl of his voice in my mind as his quips slip up the screen. His pretty compliments. The wicked side of himself that he releases with me. Perhaps his girl doesn’t want to satisfy this darker aspect of his spirit. I’m willing to take it. “Maybe I am doing something that she can’t,” I inwardly gloat. That makes him stay. It keeps me hooked.

It turns me on. Some of our virtual “dates” have been much hotter than real ones. At least I know I am going to get off — without the inconvenience of getting dressed up and pretending to be interested only to be let down during dinner conversation, then in bed. By contrast, a clandestine online relationship can be perfection. As long as it stays online.

But this whole Weiner debacle has got me pondering sins of thought versus deed. If I wanted to murder someone, and imagined it but didn’t do it, would you send me to jail? If I fuck your boyfriend, but in the end it’s just words traced in pixels that disappear as soon as a window is closed, did it even happen? Our earthly lives remain completely uninvolved. Are a handful of pictures and raunchy sentiments enough to ruin a man’s life?

They were for Weiner. Though not as famous as Weiner, as a minor star in his field, my baby has something more important that “face” to lose if anyone finds out about our computer love. He could lose the literal love of his girlfriend. Knowing this, I feel pained. One of the most stimulating joys in my life could bring two people emotional harm; to him if she left, to her if she found out. I ponder the morality of what I am doing almost every day. With things like fidelity on the line, you’d think we’d forget about each other. But I don’t think either of us should bounce.

I’ve heard many women say of the Anthony Weiner affair that sexting is not cheating – but that it would destroy their trust in the relationship. Trust is an important issue in life. But it’s also important to express every aspect of who you are. If you can’t do that with the one you are committed to in the real world, the most painless way to meet unmet needs is through the imaginary one. Sexting is a tool for just that, and isn’t cheating as long as it stays in the immaterial realm. We all fuck exactly who we want to in our heads, all the time. Doing it over the Internet is barely any closer to the real thing.

As far as trust goes, that is between my distant lover and his woman. But here is what my online love does for me: Getting freaky in a secret space helps me explore uncharted aspects of who I am, while connecting with someone who understands this part of me, which is not accepted by anyone else. Who wouldn’t glory in the attention? For Weiner, I bet messaging with multiple women did this for him, too. He wanted to get his sexual ego fed, meet unmet needs without actually cheating, and I completely get it. This seems normal, human and natural. It’s only admitting it in our society that is taboo. Hopefully that will change.

Until that happens, we shouldn’t feel guilty for things that take place only in our minds. Sexting can be a responsible way of acting out non-monogamous impulses, thus making literal monogamy possible. It’s too bad for Weiner that the public (and Democratic leadership) couldn’t agree. For both of these reasons, I hope my online love doesn’t feel guilty for merely pretending to make love to me – and I hope he never gets caught.